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Arts
and Crafts Movement,
art movement of the last half of the 19th century that strove to
revitalize handicrafts and applied arts during an era of increasing
mass production.
The
movement coalesced in 1861, when the English designer William Morris
founded the firm of Morris, Marshall, & Faulkner. Arguing that the
true basis of art lay in the crafts, Morris and his followers attacked
the sterility and ugliness of machine-made products; his firm promoted
hand-made textiles, books, wallpaper, and furniture. Around him grew a
circle of other artisans, notably the architects Philip Webb and C. F.
A. Voysey (known for his "cottage" style), the cabinetmaker
Ernest Gimson, the potter William De Morgan, and the designers Walter
Crane and C. R. Ashbee. The Arts and Crafts Exhibition Society
(founded 1888) and the magazines The Studio and Hobby Horse
provided forums for the dissemination of the movement's ideas.
In
Scotland, Glasgow became a lively center of the movement in the 1890s,
under the leadership of the brilliantly innovative architect Charles
Rennie Mackintosh. In Vienna, the movement was the inspiration for the
craft-oriented Wiener Werkstätte (Vienna Workshop). In the United
States it led to the establishment of notable craft workshops and
exhibition societies, while the mission style in furniture and
architecture carried arts and crafts ideals up to the years of World
War I.
The
movement was the principal forerunner of the art nouveau style, and,
in its emphasis on plain materials and surfaces, it was one of the
dominant sources of 20th-century modernism.
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Three
Arts and Crafts Chairs
These three chairs are examples of the kind of work turned out
by the artisans in the Arts and Crafts movement in England
(circa 1896). Through simplicity of line and the cane or rush
seats, these craftsmen attempted to reproduce the forms of
traditional country furniture. |
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